Sunday, July 5, 2009

July 5

Book
Zen Mind, Beginner's Mind - Shunryu Suzuki
On Practice....

"You may think that if there is no purpose or no goal in our
practice, we will not know what to do. But there is a way.
The way to practice without having any goal is to limit your
activity, or to be concentrated on what you are doing in this
moment. Instead of having some particular object in mind,
you should limit your activity. When your mind is wandering
about elsewhere you have no chance to express yourself. But
if you limit your activity to what you can do just now, in this
moment, then you can express fully your true nature, which
is the universal Buddha nature. This is our way.

When we practice zazen we limit our activity to the small-
est extent. Just keeping the right posture and being concen-
trated on sitting is how we express the universal nature. Then
we become Buddha, and we express Buddha nature. So in-
stead of having some object of worship, we just concentrate
on the activity which we do in each moment. When you bow,
you should just bow; when you sit, you should just sit; when
you eat, you should just eat. If you do this, the universal
nature is there.

When you practice zazen you should not try to attain any-
thing. You should just sit in the complete calmness of your
mind and not rely on anything. Just keep your body straight
without leaning over or against something. To keep your body
straight means not to rely on anything. In this way, physically
and mentally, you will obtain complete calmness. But to rely
on something or to try to do something in zazen is dualistic
and not complete calmness.

In our everyday life we are usually trying to do something,
trying to change something into something else, or trying to
attain something. Just this trying is already in itself an ex-
pression of our true nature. The meaning lies in the effort
itself. We should find out the meaning of our effort before we
attain something. So Dogen said, "We should attain enlight-
enment before we attain enlightenment." It is not after at-
taining enlightenment that we find its true meaning. The
trying to do something in itself is enlightenment. When we
are in difficulty or distress, there we have enlightenment.
When we are in defilement, there we should have composure.
Usually we find it very difficult to live in the evanescence of
life, but it is only within the evanescence of life that we can
find the joy of eternal life.

By continuing your practice with this sort of understand-
ing, you can improve yourself. But if you try to attain some-
thing without this understanding you cannot work on it prop-
erly. You lose yourself in the struggle for your goal; you
achieve nothing; you just continue to suffer in your diffi-
culties. But with right understanding you can make some
progress. Then whatever you do, even though not perfect,
will be based on your inmost nature, and little by little some-
thing will be achieved."


July 4

Work
Had a gig today (finally). Nice trio gig. Was fun just blowin' through some tunes and having a lot of good conversation between the sets.

Exercise
Morning - Stretching and weights before I went to the gig this morning.
Evening - Weights (again)/yoga/chi kung

Movies
Saw two movies this evening when I got home.
Lord of War
The trials and tribulations of an illegal arms dealer. Highlights several situations around the world including the Soviet Union, Sierra Leone, Africa, and South America. Draws attention to the bigger picture of the arms business, that war and conflict are necessary for profits. A lot of "predictive programming" in this one.

House of 9
A study in how quickly and devastatingly societal structure can deteriorate. Unfortunately, confirms what I read and posted in this blog yesterday from John Dewey's book, Experience and Education. Dewey basically said that humans aren't intelligent enough to maintain a society on their own.

Also, these people in the movie were being monitored by 75 cameras. I happened to look up several times today walking through train stations and noticed cameras always above me. Saw this article on Alan Watts' website this evening when I got home.
"Big brother is watching: The technologies that keep track of you" by Claudine Beaumont (telegraph.co.uk) - July 2, 2009.
Alan Watt Podcast 7/3/09

Reading


War of Art was suggested to me by my buddy from college, Perry Lawrence. Perry has been traveling all over the world the past several years video recording and making documentaries. Recently, he's been doing great things on the internet with his new business at ASKMRVIDEO.com

It's really a great book that has as it's basis resistance. Talks about resistance in all it's forms and how we create blocks to disrupt our creative flow and also how we can use the "commitment of a pro" to do battle against the resistance and eventually transcend all of that to a more creative "space." I can understand the concept of the "commitment of a pro." My survival (food/paying rent/taking care of family/life responsibilities/bills/etc) depends on the sound coming out of my horn. Knowing that can definitely cause you to play from a deeper place I think.

"The professional keeps his eye on the doughnut and not on the hole. He reminds himself it's better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot."

Steven Pressfield - The War of Art (pg 90)

Saturday, July 4, 2009

July 3

Books/Magazines
I couldn't stop myself. Went to the cafe at the Shirokanedai Book-Off and ended up picking up a couple of books and 3 magazines. Work has been slow and money low but couldn't resist spending ¥1000 for these things.


A look further into the "transhumanist" movement and beyond into "posthumanism". "Posthumanism?" Yes, it seems as though there are millions of dollars being pumped into think tanks, university research departments, etc studying the period after humans have been completely genetically altered and/or merged with machines/computers. Sounds crazy? Yep. I thought so too. But, the more I check into this, the more real it gets. Went to see "Terminator 4" a couple of days ago and I just read some things in Cyborg that were identical to things I saw in the "predictive programming" in the movie.


"We are told almost daily and from many sources that it is impossible for human beings to direct their common life intelligently."
John Dewey - Experience and Education (pg 100)


Wow! Isn't that nice? And I grew up thinking John Dewey was a guru in the American education system. For more info on the background of the education "system" that was installed by corporate America, click on the links below for a shocking interview with John Taylor Gatto.

John Gatto Interview with Alex Jones


John Gatto Interview with Alex Jones (part 2)



I've been having some trouble with night photos. As I scanned this book, I quickly saw a couple of things that I think will help me out with my technique.


Found a few really good helpful bits of information as I read this on the train going home from the store. Great magazine!


Some great articles on yoga. The photography and lay-out of the magazine is beautiful.

Thursday, July 2, 2009

July 2

Creativity/Mastery
But genius, no matter how bright, will come to
naught or swiftly burn out if you don't choose the
master's journey. This journey will take you along a
path that is both arduous and exhilarating. It will
bring you unexpected heartaches and unexpected re-
wards, and you will never reach a final destination.
(It would be a paltry skill indeed that could be fi-
nally, completely mastered.) You'll probably end up
learning as much about yourself as about the skill
you're pursuing. And although you'll often be sur-
prised at what and how you learn, your progress to-
wards mastery will almost always take on a
characteristic rhythm that looks something like this:

The Mastery Curve
There's really no way around it. Learning any new
skill involves relatively brief spurts of progress, each
of which is followed by a slight decline to a plateau
somewhat higher in most cases than that which pre-
ceded it. The curve above is necessarily idealized. In
the actual learning experience, progress is less regu-
lar; the upward spurts vary; the plateaus have their
own dips and rises along the way. But the general
progression is almost always the same. To take the
master's journey, you have to practice diligently,
striving to hone your skills, to attain new levels of
competence. But while doing so—and this is the in-
exorable fact of the journey—you also have to be
willing to spend most of your time on a plateau, to
keep practicing even when you seem to be getting
nowhere.
George Leonard - Mastery (pg.14-15)


Read this great book by George Leonard a few years ago. Leonard writes about that lonely road to mastery. I was going through a particularly difficult time when I read this book. Had been frustrated for a few months. After reading this, I learned to "love the plateaus."



THE 5 KEYS TO MASTERY trailer (contains strong language)



THE 5 KEYS TO MASTERY

    SURRENDER TO YOUR PASSION

    How can I describe the kind of person who is on a path to mastery? First, I don't think it should be so dead serious. I think you should understand the joy of it, the fun of it. Being willing to see just how far you can go is the self-surpassing quality that we human beings are stuck with. Evolution is a whole long story of mastery. It's being real. It's being human. It's being who we are. - George Leonard

    PRACTICE, PRACTICE, PRACTICE

    I started Aikido at age 47, got my first black belt at 52. In the process, I learned what this business of mastery is all about. For example, it once was thought that talent was absolutely important. The Greeks talk about this "divine spark." That's why you can become great. But I've learned that practice is the magic formula. Practice will make you good at anything you do. And here's one of the insights I got after I wrote the book: we are practicing all the time. - George Leonard

    GET A GUIDE

    What if you are practicing wrong? Then you get very good at doing something wrong. If we don't get good instruction, then we don't notice when it's a little out of round. Surrender yourself to your teacher. That doesn't mean you turn over your life to the teacher - you don't want a guru. You have to keep the autonomy within yourself. You are finally the ultimate authority of your own practice. The best teachers are those who model the whole thing. They give immediate feedback, it's generally positive, and they avoid lectures. - George Leonard

    VISUALIZE THE OUTCOME

    You want to make it real and present in the realm of your consciousness. You don't say "I'm going to do such and such." - it already has happened. Now, is consciousness real? It exists and it is very powerful. The idea is to have this mesh between your consciousness - your visualization - and the so called material world. - George Leonard

    PLAY THE EDGE

    There is a human striving for self-transcendence. It's part of what makes us human. Wit all of our flaws we want to go a little bit further than we've gone before and maybe even further than anyone else has gone before. So we want to play the edge. - George Leonard

Tuesday, June 30, 2009

June 30

Over the years, I've been witness to some I consider craftsmen/masters. They seem to be always "doing the work." This doesn't mean being a workaholic. Balance is also key. It's a marathon, not a sprint. Characteristics such as consistency, steadiness, balance, persistence, unchanging, undeviating yet, selfless/egoless were obvious. They never seem to be seeking fame or reward and are undaunted and fearless about failure.
"Work alone is your privilege, never the fruits thereof. Never let the fruits of action be your motive; and never cease to work. Be not affected by success of failure."

Bhagavad Gita


Interview
Bill Evans discussing improvisation and the creative process


Creativity Exercise
DeBono's Creativity Workout #7 (pg 34)
Random Words - Combining Random Words to Deliver a New Value

Composition
Today I finally took action on a project I've thought about for a long time. I'm starting to write an etude book for trumpet. Just what the world needs right? Hahaha..well, I'm writing (hopefully) in my voice, the way I speak on the horn. So, there might be something there for someone to take a look at. But then again, it doesn't really matter. I just want to get this down on paper. Kind of "clearing process" for me.

Listening
Edward Elgar - Enigma Variations
Keith Jarrett - Live in Tokyo 1996

Movie
Syriana
Watched this movie probably 5-6 times already. One of the best geopolitical films I've seen. A little too realistic.

Reading
Effortless Mastery - Kenny Werner

Keith Jarrett - NY Times - Jazz Martyr
Keith Jarrett: Zen in the Art of Jazz
Michael Michalko, 100 Monkeys (Collective Unconcious)
Deepak Chopra’s The Seven Spiritual Laws of Success
by Deon Du Plessis
An Enlightened Approach To Success

Kenny Wheeler Interview

Food/Drink
Having a new wine tonight from a company called Concha Y Toro (Sunshine - Merlot) and listening to Keith Jarrett. A great wine from Chile and the piano playing is pretty good too!

June 29

Reading
Was taking a look (again) at "Zen in the Art of Archery" today. This is probably the most important book I've ever read relating to playing my instrument. I recommend this book to anyone in the arts. As I read this book, I just substitute the word trumpet every time Herrigel uses archery.
"What is to be done? How does skill become "spiritual," and how does sovereign control of technique turn into master swordplay? Only, so we are informed, by the pupil's becoming purposeless and egoless. He must be taught to be detached not only from his opponent but from himself. He must pass through the stage he is still at and leave it behind him for good, even at the risk of irretrievable failure. Does this sound as nonsensical as the demand that the archer should hit without taking aim, that he should completely lose sight of the goal and his intention to hit it? It is worth remembering, however, that the master swordmanship, whose essence Takuan describes has vindicated itself in a thousand contests."

Zen in the Art of Archery - Eugen Herrigel, pg 72


Art
Wassily Kandinsky

I'm a HUGE fan of Kandinsky's work. I started reading this book of Kandinsky's today. This is a follow-up to his first book, "Concerning the Spiritual in Art." In these two books, he outlines the dynamics involved in his painting regarding texture, time, and even drawing parallels between color and musical pitches and the emotional effects.

"Composition V" 1911 - Wassily Kandinsky

Music
Chet Baker Interview
In college I really got into a deep Chet "thing." Probably lasted from 1980 to 1983 when I had moved to Washington, D.C. I was never into the stuff Chet did in the early years. I was very attracted to his playing just before he died. He spent all that time in Europe after having new teeth put in. I thought his playing in the later years had really changed. To my ears, his sound had become darker and more soulful. He was always a person that had a good balance of space in his melodic lines. I think in the later years, he had really mastered the use of space. His improvisations really remind me of a painting. His use of space along with the harmonic color and his vocabulary was very much like a painter.


Chet Playing Cherokee in Antwerp
I included this video cause it's nice to hear Chet "fly." A lot of people would be surprised to hear him playing like this on Cherokee. A lot of people only associate Chet with My Funny Valentine and other moody ballads. That's something I like about his playing. He could play as fast as anyone but, he wasn't the kind of player that felt a need to have to show you that all the time. Maybe cause he had reached such a level of maturity and detachment, he didn't have to be "up in your face."

I remember reading something pianist Hal Galper mentioned in the liner notes of a recording I was listening to a lot in the early 80's. Galper was talking about his time working with Chet in Europe. Galper talked about how Chet was a master at not playing too much.
"Chet always knew how to leave the audience wanting more."
Hal Galper

Performance at OPCM

Free Rein, a performance at OPCM on April 3, 2009 from mxxx palmer on Vimeo.



Poetry Reading: Ted Kooser


Stevie Wonder wrote this tune for Michael Jackson
I Can't Help It (Live)


Edward Elgar
I started looking into Elgar's life and music today. Here is a rare clip of him conducting his own incredibly famous "Pomp and Circumstance."
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