2/2/10

Sometimes I get so busy in the doing (and kind of lose myself in THAT place) that I forget to step and do things like this (write in a blog).

It's nice to have a flow going. Not feeling the need or the desire to stop and analyze.

It is good to be able to pull up and take a break for a minute just to make sure the "boat is still on course" though. The "drift" is strong and sometimes deceiving.

August 22

Ever play a tune or a classical piece and notice that there is a spot in the music that you always feel kind of uncomfortable? During your improvisation you ever feel there are a few measures that you always feel awkward or confined? But, you've been playing this song for months or even years. Why are you still feeling restricted in the same place? Have you avoided isolating that spot and spending days or weeks working that spot out? Technical studies could easily be created and practiced to eliminate the awkwardness. My real question is why do we avoid the problem areas? Even when we are completely aware (and most likely everyone around us knows as well) of the problem area, we continue to avoid it. Why don't we attack that area? That small place in the music seems to take on a power of it's own. Maybe we completely avoid playing the whole piece of music just because of a few measures. How can fear be created like this in our heads?

August 21

Noticing that there is a major distinction between creating ideas and doing the necessary execution to bring the idea into reality.

I'm wondering if there could be a right-brain left-brain connection problem. People that are great creating ideas seem to have trouble sometimes with the step by step methodical execution of the idea/plan. The "grunt" work involved in making the idea into a real thing appears to be boring for some.

There's really nothing creative about sitting in a room [for hours, days, weeks, months, years] and practicing scales/chords and technical studies. That is a very left-brain kind of activity. However, it's quite necessary if one has any hope of being able to do the execution required to bring out that idea that's floating around in the inner ear.

August 19

http://sivers.org/desperate2

A follow-up post by Derek on the question of the effectiveness of desperation as a potential plan of attack on the road to success.

Desperation conjures up images of fear for me. Scarcity....
For me, it might cause me to do negative things with my energy. Actually, becoming like a black hole instead of projecting good energy out onto the project.

August 18

http://sivers.org/desperate

In this post, Derek raises an interesting point about setting-up the context
that you operate from on your way to finding success for yourself. I'm not sure (after reading the post) if desperation is the word for Branson's style of forging ahead. I'm more inclined to use the word commitment. His level of commitment to his projects is extraordinary. Playing as if his life depends on it.

August 17

http://sivers.org/steps

Derek highlights a very important point. I've noticed for years in Japan while in the company of people studying Japanese and/or English. Some seem to really enjoy learning a new language, never really speak about the difficulty and progress rather quickly. Others are always talking about how hard it is to learn the language and how much time it takes. Consequently, they never seem to make much headway.

August 15

Recently, heard about the trumpet player Florent Brique. Been checking out his band. Here is a nice groove they did at the Vienna Jazz Festival.

Really creative project.

August 12

Haven't posted on this blog for 12 days after doing 72 days in a row.

It's called "hitting the wall."

August 8

"When you play jazz, you have to live it. You know, those notes mean something. They don't just come from your brain, they come from your heart and soul too. So I think in order to have that heart and soul, you have to experience life. So I relate my music to my life and my lifestyle. You can't separate the two."

Woody Shaw interviewed by Louise Gilbreth 106.7 Jazz Masters WRVR

Listen to the Woody Shaw interview here

August 7

Can't say enough but, don't want to say too much about this interview. Lawrence says some priceless things. I would put some quotes here but, there are simply too many. Young creators really should listen to this (many times) and older creators should listen to get "re-grounded" into the things that drew them into the creative world in the beginning.

Lawrence Williams Interview (video

Art of Lawrence Williams

August 3

Went to Miyakojima in Okinawa last year. Maybe it's just about time to go there again. Miyakojima is a tropical paradise, actually closer to Taiwan than the main southern Japanese islands. I didn't see any evidence of over-development there. Lots of wide-open spaces, sugar cane farms, beautiful white sand beaches and quiet. I'll have to say, in the past few years, except for my occasional trips to West Virginia or west of Tokyo to the Japanese alps, I felt the most inspired to create while on Miyakojima. I just love nature. That's it. Period. Very difficult for me to feel inspired living in the city. I guess I can create anywhere and under a lot of different conditions. But, if I had my preference......

August 2

The Power of Nightmares
(parts 1-3)

Another documentary presenting more ideas on the process in which "the system" has guided our thinking and perceptions of society and the world around us. With this constant attack on our senses and thinking, I wonder how the growth of creativity is stunted and/or limited?




http://www.archive.org/details/ThePowerOfNightmares

August 1

"Trumpet player Clark Terry summarizes the creative process as "imitate, assimilate, innovate". Listening to other musicians can give you ideas you may wish to develop further, and being able to successfully duplicate what they are doing is one step toward being able to express yourself. Next, you must understand why the things you are playing sound the way they do, so that when you want to create a particular sound, you will know how to achieve it. The theory presented in the following sections can help you structure your thoughts, and can also help you identify the sounds you hear. However, analytic processes are an aid to the creative process, not a replacement for it. Two analogies, one with language and one with mathematics, should help make this clear.Trumpet player Clark Terry summarizes the creative process as "imitate, assimilate, innovate". Listening to other musicians can give you ideas you may wish to develop further, and being able to successfully duplicate what they are doing is one step toward being able to express yourself. Next, you must understand why the things you are playing sound the way they do, so that when you want to create a particular sound, you will know how to achieve it. The theory presented in the following sections can help you structure your thoughts, and can also help you identify the sounds you hear. However, analytic processes are an aid to the creative process, not a replacement for it. Two analogies, one with language and one with mathematics, should help make this clear."

Jazz Fundamentals - Marc Sabatella
http://www.outsideshore.com/primer/primer/ms-primer-3.html

July 31

After listening to the first tune, you'll here some interesting comments from Hargrove about creativity and where the music comes from.

Roy Hargrove on Music

July 30

New Experiences
When I talk with students about creativity, I like to emphasize that it is so important to try new things and have new experiences. It doesn't have to be anything extravagant or expensive. While I've been in Karuizawa, I've been trying some new food, going for walks, and taking photos. Today, I even tried a couple of local beers.

July 28

The Future of Music on NPR
Great interview with David Kusek (Berklee College of Music)
Click on the above link and listen/download the interview.

As independent musicians, should we make CD's in the future? Just record tracks and sell them online? How to build a base of people interested in our music? Record deals? Do we need the major labels anymore? Just use the recording as a promotional tool, as a business card? Wondering where the creative process plays a part in all of this. Branding?

July 27

James Cameron talks tech, "Avatar" at Comic-Con

"I think it's really more of a bonus at the moment that you sit down and watch the movie that you feel more immersed in it and more physically present. I actually think 3D engages more areas of the brain, just the way we process 3D images. It makes you more aware and more present as you're watching the film because there's more brain activity."
James Cameron talkstech, "Avatar" at Comic-Con

Interesting comments. As time goes on, I look at the way movies, TV, etc are used to deliver messages/info to the masses. It's intriguing to me that those in the industry are trying to find more ways for us to be totally immersed in the media experience.

Soylent Green
A dystopian movie from 1973 that presented material about a 2022 overpopulated world in which most of the resources had been exhausted. They've been planting the seeds for quite a while....^_-


Clark Terry - "Storyteller" (video interview)

Probably my biggest influence on the trumpet and in jazz. Always noticed that Clark Terry and others in his generation have been great storytellers with or without their instruments. I can remember sitting around campfires listening to my Grandad tell stories for hours. I just couldn't get enough of that. This week, I'll be looking into storytelling and storytellers and thinking about how that shows up in making music, improvisation and the creative process in general.

Tom Wujac Speaks at TED

Brain Chow Post 6/6/09 re: Wujec

July 19

Today

Couple of hours of trumpet in the morning (SLOW-SLOW-SLOW)
Singing tunes..Strayhorn, Monk, Ellington..and some standards

Long walk

Movie
Dark Knight-Batman
Started watching the dvd (about half). Friend of mine told me that the propaganda and "predictive programming" is so up in your face. Try to finish it tonight (7/20).

July 18

Long gig today (12 hours) at one of THE most famous luxury item stores in the world.
I say that only because as I was playing, it was AMAZING watching people. That's all I can say....just AMAZING.

Had a lot of "breaks" during this gig today so I got to do some reading. Read a lot of interviews from the Jazz Weekly website.

Fireside Chat With Dave Holland
Fireside Chat With Tom Harrell
Fireside Chat With Lester Bowie
Fireside Chat With George Coleman
Fireside Chat With Anthony Braxton
Fireside Chat With Billy Harper

July 17

Reading

Vein of Gold
Notes:
Mind Map

dreamtime
imagic-nation
causal plane
walking
"cross the bridge" into a "space"where our imagination and thoughts
start to take a physical form
vibration 6 rhythm
(desire + energy) + imagination (thoughts)= manifestation (solid form)
dreams (thoughts) become reality

"As we walk, we "cross the bridge" into the realm of desire and imagination."

Julia Cameron - Vein of Gold pg. 32

DeBono Creativity Work-out
Exercise #9 Value
Pick 5 random words
Which word creates the most value (Expensive, Safest, etc)

Exercise #10
Multiple Connections
Pick 2 random words
Create multiple connects for these words
(Go beyond the obvious)
_____________________________________________________________


If You Want To Write - Ueland
Chapter 3

"But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it."

Ueland - If You Want To Write pg 19

___________________________________________________________
I've read in multiple locations in the past 2 weeks, the value of walking in the creative process. Taking a simple walk. Who would've guessed? Once again, it's the simple things. I can attest to the importance of walking, not only for the obvious health values, but also the way in which taking a 30 minute walk can free up the mind.
I started intentionally taking daily walks about 5 years ago. I can't imagine the number of miles I've covered in those 5 years. There really does seem to be some connection between the rhythm that you get into on a longer walk, coupled with the breathing that causes me to be able to go deeper with my imagination. Sometimes there is a flood of new ideas, things to do, new insights on projects, new melodies, old melodies, etc. Julia Cameron speaks of the importance of walking in the Vein of Gold. She explains how valued walking was to creative/spiritual groups all through history. Walking is an improvisation. I've asked students if they take the same route to school everyday or to their train station. Invariable, the answer is yes. Trying a new route is fun. It can be really surprising (even in your own neighborhood) what new things you will encounter just trying a different route. That's the same kind of idea as playing tunes in the same old keys. Try a tune in a new key. It's surprising what new ideas pop-out unexpectedly because the fingers aren't able to run through the same old patterns. Suddenly the subconscious is released!
___________________________________________________________

If You Want To Write-Chapter 5
Action
(Walking-everyday)

"I will tell you what I have learned myself. For me, a long 5 or 6 mile walk helps. And one must go alone and everyday.

My explanation of it is that when I walk in a carefree way, without straining to get to my destination, then I am living in the present. And it is only then that the creative power flourishes"

Ueland - If You Want To Write pg 43

Today
taking care of "odds and ends."
drivers License renewal
phone office-new battery
teaching at Senzoku
dentist
internet work
cafe-Couple of hours of reading
trumpet-late night long-tones

Taught final ensemble class of the semester today. Gave the students a copy of my latest CD. I gave them the CD because I wanted to stress to the students the idea of doing a complete creative project from beginning to end.
Create a concept/idea
Composition/arranging
Forming a band
Rehearse the band
Perform
Record
Post Production
Design/Photo/Art
Sales/Marketing
Follow-up gigs/tour

We talked about being involved in every step of the process rather than doing a

"corporately controlled"

project. Talked about how the culture is being created from the top down. (PR-propaganda-brain washing)
Documentary:
Century of the Self
Edward Bernays - "Father" of PR (Propaganda)
Part 1

Part 2

Part 3

Part 4

Part 5

Part 6




It's funny..serendipity I guess. This morning as I was packing to leave for the day, I put together the CD's for the students (to talk about "concept/idea oriented projects") and put an old issue of LENSWORK magazine in my bag. At the cafe, I started reading Brooks Jensen's editor's notes and he was talking about "portfolio-oriented projects" for photographers. It's really a great article and applies perfectly to musicians as well as photographers.

Notes:
why do folios?
project-oriented photography
material included (quantity) varies from artist to artist & project to project
consistency throughout the project
there is a "big picture" idea that encompasses the project
portfolios are about ideas-another level above just photos
tells a story
creates emotion